Read all about it: Write Around Queensland short story I edited and my reviews of other stories (50th post!)

Historic moment: Just realised this is the 50th post on my blog! Woohoo!
Thanks for joining me for the ride. 🙂

Maya’s signature look of excitement  Image source: Chelsea Anne Photography / Becuo Images

Maya’s signature look of excitement
Image source: Chelsea Anne Photography / Becuo Images
(http://chelseaanne.com/personal/mayas-signature-look/)

After 12 months of working and waiting for the 2014 Write Around Queensland anthology, today is the day!

You might remember that I said there would be some book reviews coming. Well, you also get to read the story that I edited in the eBook of the anthology – for free!

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Why you should listen to your editor

Grumpy Cat Image source: AP Images

Grumpy Cat
Image source: AP Images

“In the end, what makes a book valuable is not the paper it’s printed on, but the thousands of hours of work by dozens of people who are dedicated to creating the best possible reading experience for you.”
― John Green

At the publishing house where I used to work, we had one author who simply would not listen to the advice of his editors.

Ultimately, the final say in how a book is edited is up to the author. It’s their copyright; it’s their book. But the publishing house always has the option of terminating the contract if the author refuses to make required changes.

Our editors recommended very strongly that this author edit out his “purple prose”. This guy was in love with adjectives. It was a common problem in all of his previous books, too.

When this author’s book was finally published, it got reviewed in the Courier-Mail (one of Australia’s larger newspapers). Guess what. The reviewer picked up on the purple prose, too. They nailed the book, and it didn’t sell well – big surprise.

We talked to the author about it but he was convinced that it was a coincidence that everyone had picked up on the same issue and made such a big deal about it.

This is why listening to your editor is so important.

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Bad stories that are being written in the world, and how we can edit them

Delete button. How to edit truly bad stories Image source: Fonts and Fiction Blogspot

How to edit truly bad stories
Image source: Fonts and Fiction Blogspot

This post is a long one, sorry, but stick with it! I really believe this is something we need to make time for.

 

 

Recently, I was looking for inspiration for a part of my novel where one character interrupts a battle to give a passionate speech that marks the beginning of the road to peace. One of the first results when you Google “speech about peace and war” is Martin Luther King Jr.’s little-remembered 1967 speech opposing American involvement in the Vietnam War, ‘A Time to Break Silence’.

I had no idea that reading this speech would change the topic that I would blog on today.

“A time comes when silence is betrayal. In Vietnam, that time has come for us.” – Martin Luther King Jr., ‘A Time to Break Silence’, 1967

Many of you, upon reading the title of this post, assumed that I’m talking simply about my profession of editing. “I say there are bad stories being written out there, and we gonna git ‘em fixed!”

I wish I was.

In the world today, as there has been every year since the dawn of man, there are bad stories being written. By governments and individuals. By my government in Australia. By individuals who I know who think that the government is doing the right thing.

And I need to talk about it. I need to tell you about it. I need to talk about why we are writing a “bad” story and how we can edit it so that we aren’t ashamed of what we have written.

“I cannot say with certainty which of my motives are the strongest, but I know which of them deserve to be followed. And looking back through my work, I see that it is invariably where I lacked a political purpose that I wrote lifeless books and was betrayed into purple passages, sentences without meaning, decorative adjectives and humbug generally.” – George Orwell, ‘Why I Write’ Essay

 

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When the deed is done: How to run an effective writer’s critique group

“Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.”
      — Larry L. King, WD

Once the writing is done, you should definitely pop a champagne and celebrate.

But guess what happens next?

You can either have a sucky first draft of your novel forever, or you can get stuck into editing it.

Unfortunately, almost everyone is absolutely terrible at seeing the story issues or the misspellings in their own writing, so you need a writers’ critique group (a “crit group”).

So how do you find a good group? What should you be looking for when you need someone to really dig into your work (a critiquer or “critter”)?

What should you focus on when it’s your turn to crit someone else’s work?

And what should you be aiming for when you are the one running the crit group?

I ran the Dugong Writer’s Critique Group for two years as Facilitator and served as Secretary for two years before that while it was run by our founder, Grace Dugan, author of The Silver Road (ebook available from Penguin or on Kindle from Amazon). The group ran from 2007 through 2010 and we learned many valuable lessons from the experience.

Read on for tips not just from my group, but also from BWF presenters Vision Writers Group and memoir author Claire Dunne.

Today’s post will be charmingly illustrated by the creative folk worldwide who put captions on photos of cats.

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Music to write by

Music to write by - typewriter treble clef. Image source: Scores for Writers

Image source: Scores for Writers

 

Ever wondered what type of music will help you to focus when writing in different genres? Here’s what’s worked for me in the genres in which I’ve written or edited.

 

Okay, NaNoWriMo is nearly over, with only five days until the end is declared. So if you’re nearly there, here’s some final inspiration, to give you the last push you need to get that baby out (what a gross analogy, seriously). And if you’re boycotting NNWM and you’re kind of sick of hearing about it, soon we’ll be back to awesome posts that are not all about how to write a novel in the shortest possible timeframe.

Why does music help you write?

Studies have consistently shown that classical, Baroque era music can help students study things they’ve already learnt once, and can help workers to concentrate better during long or repetitive tasks. For those in a busy study or work environment, music has also been proven effective for blocking out distracting background noise. If you’re writing, editing, or creating art, music can help you stay focused and be more creative and open to new ideas.

By contrast, if you’re trying to learn new information that requires your full attention, music can distract you from what you’re reading. So if you’re doing research about historical methods of leather tanning for a new book, you might want to turn the stereo off and focus on the history.

Listening to lyrics can be distracting from writing, so most of the music I’ve featured in this post is purely instrumental. This is because lyrics are words and you’re already trying to think about other words when you’re writing. (People in other disciplines like maths, science or IT have no trouble with listening to lyrics while they work – in fact it helps, since their domain is largely numbers and code (Lesuik, 2005).)

So what can you use to inspire you when writing in different genres? Read on to find out!

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Reblog: Tamora Pierce and how to trip your character – in a good way

So this week has been full-on!, and NaNoWriMo is taking all my writing energy (!!!! 😀 ), so this post will be super short – cheers! But today’s “tip link” is something I know you’ll enjoy and find useful:

TIPS FOR BREAKING THROUGH the writer’s block wall.

Tamora Pierce from NNMW

Tamora Pierce
Image source: NNMW

In this great post in ‘NaNoWriMo pep talks’, Tamora Pierce talks about trying two super simple things to get your character moving again.

As for Tamora’s credentials, she is one of my favourite authors, and her writing is legitimately incredible! Her characters are believable and her plots are fantastic examples of medieval fantasy written for a younger audience that doesn’t dumb it down. I discovered her when I was ten and I’ve read almost every book she’s ever penned – which is a LOOOOOT of books.

Her idea #1 is my favourite:

Trip them up.

On the sidewalk. In a forest. Getting out of a swimming pool.

Tripping, no matter when or where it happens, is by nature an unexpected event. Depending on how tired they are, how many resources they have left, it’s something that can make your character overreact completely, do something crazy and uncharacteristic, or make them realise their newfound strength and rise to the challenge.

e.g. Whoops, my character broke their leg. Now they can either react by punching in the face the person who tripped them over, or my character can react by using the time off to do something they’ve always wanted to, accomplish a dream. Like painting a beautiful sunset. Or watching a Firefly marathon interrupted.

'The slip horse falling off a cliff' by Sidney Nolan

‘The slip horse falling off a cliff’ by Sidney Nolan

This horse (painted by the odd-but-amazing Sidney Nolan) fell off a cliff, poor fellow. Now that’s a bad day!

 

What’s a memorable time you tripped? Can you work it into your story somehow?

 

This post was written by TJ Withers-Ryan © 2014. Reblogging is highly encouraged as long as you credit me as the author.

Writing about people you know – treading the fine line

Friends Season 1 Monica and Rachel Image source: 'FRIENDS' TV show via Hello Giggles

Friends Season 1 Monica and Rachel
Image source: ‘FRIENDS’ TV show via Hello Giggles

Rachel:                Oh, and I’m sorry I said you were a cow in high school.

Monica:               That’s okay. I was a cow.

Rachel:                Yes, but I’m still sorry I said it.

– Friends, Season 1, Episode 17 “The One With Two Parts”

Disclaimer:

This post offers a broad overview of defamation law but is not intended to be read as legal advice. This is a complex legal issue that should not be taken lightly. If you have concerns about your own writing with regards to libel liability, you should seek independent legal advice.

I’ve had authors who were worried about writing about the people in their family. Memoirs are always a bit tricky like that. It’s your story, but it’s also the story of how your life was affected by them.

It’s more complicated than just which details to include and which to leave out. It becomes a question of, do you even want to represent them as themselves, or would you rather change their name, age, occupation, everything, in fact, apart from what they did for you or how they impacted on your life?

It doesn’t have to be for negative reasons. Some people really don’t want the credit. One of the writers I knew in uni wrote their own stories as novels because they didn’t want their subject to be embarrassed by how the writer looked up to them as their role model, their hero.

At the Brisbane Writers Festival, I heard a great talk by Sian Prior about her memoir, ‘Shy’, which chronicles her struggles with social anxiety. She wrote about living in the shadow of an ex of hers who was very famous. In her case, she said she didn’t need to check with him before writing about him. They had already parted ways, but more importantly, he had already written about their relationship in his own book! He’d already set the rules by not asking her before he wrote about her.

Her approach, knowing that she would uncover things about their relationship that people didn’t know, was to be rigorous about being honest. By contrast, she did check with her family about her portrayal of each of them, and they were all surprised but happy with her including them in her story.

Lots of people worry about defamation law – specifically, the written form, ‘libel’. Here’s the raw basics:

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Short stories to wrestle with

Summer in the park in London. Image source: IWOM We know no limits

Image source: IWOM We know no limits (London)

“The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.” – John Steinbeck

 

Juni Desiree (Awrestlingwriter) is a prolific blogger I happily stumbled into this year. This week she kindly shared with us the link to one of her short stories, ‘Summer’, published in The Australia Times.

I loved it! Laughed. Nearly cried. Finished it feeling warm and fuzzy and re-balanced. Which is just what a short story should do.

And it is seriously short (700 words), which makes it a solid example of one particular structure for short fiction – the “whole narrative” told briefly – for young writers who are just starting out to follow.

Last month I was editing a short story for someone, and this month I’ll be writing a book review of one (I’ll post the link when it’s up), and so I’ve spent a lot of time thinking about the various purposes of short stories in general, and whether or not these and other stories have achieved those purposes.

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Semantic satiation: Don’t kill your reader

Recently I was editing a novel where the author had used the “text method” of writing. I don’t mean that they included texts in their story. I mean that they wrote “dont” instead of “don’t”.

So I’ve just spent an hour straight hitting “Ctrl+F” (Find and Replace) to fix the variations of “dont” that have appeared throughout the story. I’ve literally looked at the same one word over and over, to the point where the correct word, “don’t”, doesn’t even seem like a real word anymore.

Dont.

Dont’.

Donnt.

Donut…? (Mmmmm, donuts… *immediately breaks diet*)

I was telling a well-educated friend of mine about it and he told me that this is called semantic satiation. (Not to be confused with Semantic Saturation, the progressive rock metal band.)

Semantic satiation is the proper term for when you’ve been looking at a word for so long that it loses its meaning to you and just looks weird. It happens because the neurons that are responsible for that word are temporarily worn out from overuse. But what can I do about it?

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Being a promiscuous reader: Brisbane Writers Festival

Stack of books with spines open

Image source: Resource Freak

“I’m a very promiscuous reader; I believe we should take all kinds of genres to bed with us.” ― Lauren Beukes

Lauren Beukes

Lauren Beukes
(pronounced something like “Beeyohkes”)
Image source: The Audio Bookstore

Today I went to my first Brisbane Writers Festival session and thoroughly enjoyed it!  Lauren Beukes, South African author of science fiction and crime noir novels, says we should read everything we can get our hands on, no matter what genre we write for ourselves.  Here’s why…

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