Working Creatively Under Pressure

Coming to hang out at GenreCon 2013 on Saturday 18th? Shoot me an email (see my Contact Us section)!

Today is all about being creative under pressure. In the workplace, whether you are a person doing creative work in a non-creative industry, or a person doing creative work in a creative industry, we all work to various deadlines, and you need to know how to harness your creative process in a hurry!

The best example of successfully doing creative work under pressure is fairly ancient. The story of ‘One thousand and one nights’, also known as ‘Arabian nights’, is the story of Scheherezade in Arabia.

Princess Dunyazade

A portrait of Princess Dunyazade (‘The Coffee Bearer’) by John Frederick Lewis

When a Persian king, Shahryar, discovers that his wife has been unfaithful to him, he has her executed. He keeps on marrying a bunch of women, but each time, he executes her the morning after their wedding, before she has a chance to be unfaithful to him. It is the vizier’s job to provide these virgins to marry the king, but one day he finds they’ve run out! So his daughter, Scheherezade, convinces her father to let her be the next bride.

On the night of Scheherezade’s marriage to the king, she begins telling the king a tale, but she doesn’t give him the ending. He’s so curious to know how the story ends that he doesn’t execute her the next morning. He figures he’ll just wait until he’s heard the ending, then execute her the next morning. But that night, Scheherezade finishes that story and starts right into a new one. But she doesn’t finish it! So the king is forced to keep her alive for one thousand and one nights.

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How to put incubation to good use – lessons from the masters

Coming to hang out at GenreCon 2013 on Saturday 18th? Shoot me an email (see my Contact Us page)!

 

Today is the continuation of the incubation theory, and how to use it: “How can we use incubation to get past writer’s block, without wasting time?” Examples of famous people who’ve put incubation to good use in their creative process.

If you’ve missed my past posts on incubation theory, and you’re wondering what I’m talking about, here’s the recap…

Young Businessman Thinking and Wondering While Writing a Paper Image Source: Writing and PR Studio (BigStock Images)

Young Businessman Thinking and Wondering While Writing a Paper
Image Source: Writing and PR Studio (BigStock Images)

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Incubation part 3: Why we (should) sleep on it

Why should we sleep on it? This post discusses incubation, sleep, and dream theory! My own experience, words from a sleep psychologist, and a wacky experiment examining the creative process.

"sleep and dreams and creativity" by Rachel Olsen: http://rachelolsen.blogspot.com.au/2012/10/dreaming-and-creativity.html

“sleep and dreams and creativity” by Rachel Olsen: http://rachelolsen.blogspot.com.au/2012/10/dreaming-and-creativity.html

My own experience:

So you remember how I was working on a novel and I just couldn’t finish it? Right, right, that was months ago. Well, I finally had a breakthrough!

I originally envisioned this novel in three parts, but currently only two parts of it work well. So I was thinking that parts one and two combined work as a standalone novel, with some revision.

But the problem that was to be solved was, at the end of part two, the heroine and her lover part on opposite sides of an intergalactic war. As enemies. So sad! And since I’m the kind of person who doesn’t deal well with sad endings (open that box of worms another day), this ending had to be fixed!

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The Withers Survey: Studying the presence or use of incubation in the creative process

Everyone has their reasons...

“Why are you creative?” from KKB101 lecture, 2011, QUT

Last year I conducted a survey on creativity, mainly among friends and family, but also with some random people I found in the uni computer labs.  I asked everyone I knew, “Are you creative?  Would you like to talk about that?” and many people said yes.  Consider this thanks and an acknowledgement of those who spent time and effort doing my survey.

As a brief introduction, the Withers Survey studied the presence of or use of an incubation period in the creative process.  The traditional theory of a universal creative process is Wallas’s four-stage creative process (1945), which I have discussed in an earlier post on the topic of incubation.  The four-stage process identifies four stages common to most creative disciplines (Davis, 2004, 121-124; CreativeIntensive, 2007):

  1. Preparation in exploring and clarifying a field or concept;
  2. Incubation, a fringe consciousness or unconscious activity related to the idea;
  3. Illumination or the moment of discovery; and
  4. Verification of the result.

My hypothesis was that most people who consider themselves ‘creative’, or have been labelled ‘creative’ by others, engage in some form of incubation as part of their creative process.  This post will discuss the preliminary results and the survey itself.

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The last leg of the race

The victorious woman crosses the finish line - Eshet Chayil!

The victorious woman crosses the finish line – Eshet Chayil!

Ever struggled to finish a project?  Yeah, me neither…

I’ve been thinking lately about how crazy busy this year has been, and how I haven’t finished the novel I was working on, although the beginning and the middle are definitely somewhat there…

The point of my post today is that often the hardest part of trying to get somewhere / waiting to achieve something is that last leg of the race.  The week before your loved ones return home.  The last year of uni.  The last month of work before you resign from your old job and start your new one.

Our writing projects often get abandoned right at the end.  I’ve written 42 / 50 chapters for a book that I told everyone I was going to finish in 2011 – now that’s awkward!  And the reason why is that I know how to start with a bang, and the middle is the crux of the story, so that’s pretty set in my mind, but wrapping it all up just looks too big.  I don’t know how to reach those last things that are needed for each of my characters to say, “My part in this story is done, and I’m happy with where I’ve ended up.”  For some characters, I don’t even know what is needed to finish their part.

Jeff Manion spoke at the 2010 Willow Creek Global Leadership Summit about his book, ‘The Land Between: Finding God in difficult transitions’.  He said that the point at which leaders’ plans fail, and people stop volunteering to help, and churches dissolve, is not when you expect.

It’s not at the beginning, because even though looking at a blank slate is scary, most people will be able to imagine the vision that you are setting forth as leader, and it’s exciting to look forward to a future full of hope and promises.  People are happy to give time and money and effort to help a new project get off the ground.  And even in the middle, it’s easy to stay committed, because you can see progress in the steps along the way.

But in that last leg, it’s often hard to see whether or not it is the last leg.  If it looks just like the middle is continuing on forever, then it’s easy to get discouraged.  The last few steps just look too big, and getting through the middle may have drained your resources and energy and passion for the project.

We can fall with the finish line in sight, when we do it in our own strength.

I drove a friend home from a meeting recently and he was reminding me of others who have fallen near the end of their personal race.  He spoke of the Israelites wandering through the wilderness of the Sinai Desert, and how when God first promised to give the promised land to this slave people, they said, “No way, we can’t do that.”  And when they were nearly there, they blew it many times by rebelling against God, even though the end was in sight.  Moses was literally up the mountain fine-tuning the Ten Commandments when the people decided it was never going to happen and made themselves a golden calf idol to worship instead.

I want to keep running with perseverance the race that God has set before me (Hebrews 12).  In the writing context, this means that I want to finish the projects that I start.

1 Corinthians 9:24-25:  “24 Do you not know that in a race all the runners run, but only one gets the prize? Run in such a way as to get the prize.  25 Everyone who competes in the games goes into strict training. They do it to get a crown that will not last, but we do it to get a crown that will last forever.”

 

This post was written by TJ Withers-Ryan © 2012. Reblogging is highly encouraged as long as you credit me as the author.

Incubation: Creativity never sleeps… or does it?

Everyone has their own method.

Bill Watterson, “Calvin and Hobbes”

Last year I did a subject that asked us as creators to answer two questions: “Why do we create?” and “How do we create?”   You have to love Creative Industries assessments.

Mocking aside, however, these two questions are vital to understand if you intend to be creative successfully, or be creative for a living… or both.

The reflective waffle which was our first assessment piece answered the first question, and I’ll post that shortly.   Literally.   The short answer after much research and navel-gazing amounts, almost universally, to: “We create because it’s fun.”   Bronowski says that humans do not choose to create unless they enjoy the process (1985, p 245).

However, the second question led into hours of delightful research, culminating in a research essay.   My task was to argue that, although there are differences between the disciplines of art, design, and media, these differences do not affect the fundamental process of creativity, and that this creates links between these disciplines.

What follows is my summary of the parts of my research related to one part of the traditional creative process: the incubation stage.   The full text of the research essay is available on my Full text research essays page.

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