The Dreaded Influenza

I was so excited last week (Brisbane Writers’ Festival!) and honestly had grand plans to post something every day about all the wonderful, inspiring talks I’d heard.

Then I caught the dreaded influenza that’s been roaming the halls of my fair city, and I’ve spent all this week in bed. (Look at me, sitting upright on the couch! Typing on my laptop! Small achievements!)

But even this is an opportunity, folks. Even this has been useful.

It’s been a long time since I was in high school, and I had an illness that produced chronic, endless fatigue that stretched into my uni degree. Sometime during those years, I wrote many story scenes and scribbles whingeing about my illness and imagining how it could be worse (deathbed scenes, etc.). Lots of these scribbles recently wound up in a novel where I cruelly give my main character a made-up alien illness so that she’ll have to make friends and rely on other people instead of just heroically “doing it tough”.

And this week – ugh! this week! – I’ve been rethinking lots of those scenes and checking against the facts of how I feel now. Did I feel this sick then? Is this how I would write that part now? How do I describe her head “swimming” without it sounding like a cliche?

It’s a good reminder of an old trope – to “write what you know”. Use every experience you’ve ever had to make your characters’ sufferings and joys more real.

Famous authors who were sick or dying when they wrote some of their most famous works (yes, I’m very melodramatic when I’m sick):

– Jane Austen worked until her death from a long mystery illness (possible culprits include (most recently) bovine tuberculosis, Brill-Zinsser disease following her child episode of typhus, Hodgkin’s lymphoma, or (according to her 1964 biographer) Addison’s disease);

– Ernest Hemingway gave himself liver disease, then was in two plane crashes that left him in pain and ill health for the rest of his life;

– Even John Green of The Fault in Our Stars says he wrote a book about different types of cancer because he suffers from that most terrible of illnesses, hypochondria.

Portrait of Jane Austen, drawn by her sister Cassandra (c. 1810)

Portrait of Jane Austen, drawn by her sister Cassandra (c. 1810)

 

This post was written by TJ Withers-Ryan © 2014. Reblogging is highly encouraged as long as you credit me as the author.

Being a promiscuous reader: Brisbane Writers Festival

Stack of books with spines open

Image source: Resource Freak

“I’m a very promiscuous reader; I believe we should take all kinds of genres to bed with us.” ― Lauren Beukes

Lauren Beukes

Lauren Beukes
(pronounced something like “Beeyohkes”)
Image source: The Audio Bookstore

Today I went to my first Brisbane Writers Festival session and thoroughly enjoyed it!  Lauren Beukes, South African author of science fiction and crime noir novels, says we should read everything we can get our hands on, no matter what genre we write for ourselves.  Here’s why…

Continue reading

Go where you find inspiration: Part 2: Real live animals that should be in fantasy novels

Go where you find inspiration, and go there often

 

My previous post was about the Art Gallery Museum and the intriguing characters I uncovered in the old portrait paintings there. Now let me tell you about the incredible animals I discovered, many for the first time, at the South Australian Museum.

The Mouflon, found in the Caucasus, northern and eastern Iraq, and northwestern Iran

The Mouflon, found in the Caucasus, northern and eastern Iraq, and northwestern Iran

Some of these guys really look like they should be in a fantasy or sci-fi novel, not in the real world. For that reason, I found these animals awakened in me again the desire to write fantasy, a genre I’ve spent many years in but often abandon for “more grown-up” genres like science fiction (haha) or drama.

I spent a few hours over three days walking through the ‘Mammals of the World’ taxidermy exhibit, because I just loved it the first day, but there was so much that I just felt I hadn’t taken it all in, needed another hit.

I was pacing back and forth behind the glass, getting a bit upset that these gorgeous things were dead, just carcasses posed for my viewing pleasure, and most of the living versions were endangered anyway, when it hit me. I wanted to write fantasy animals based on these real animals. Think about it – if I describe an animal to you just using the description, not labelling it by the name we know it, it would be harder for you to imagine, wouldn’t it? You might even think I was making it up.

My first mammal looks like some medieval fantasy writer got really tired of writing ad nauseum about wolves howling at the moon and running in packs and chasing our heroes through the woods, so he elongated the nose and tale of a fox and gave it giant ears, then shrunk it to cat size, and…

The Fennec Fox, found in the Sahara of North Africa

The Fennec Fox, found in the Sahara of North Africa

BAM! Fennec Fox. (Seriously, what’s with these adorable little guys? They’re so darn cute!)

Here are some of the other animals that inspired me:

Continue reading

Go where you find inspiration: Part 1: Intriguing characters found in portrait paintings

Go where you find inspiration, and go there often

 

I’m in Adelaide this week, and while I’ll save my excessive raving about how beautiful it is for later, I have to tell you about where I went yesterday.

I went to the South Australian Museum and the Art Gallery.

Sounds a little boring, maybe, if you hate animals or history or art. But I have to tell you, I found myself absolutely, 100% inspired there – the most inspired, in fact, that I’ve felt in months.

This first post will be about the South Australian Art Gallery and the beautiful portraits I admired there; my second post will illuminate the incredible animals that I discovered at the Museum.

Ever just see someone on the street and their face just tells you a story that you want to write instantly? They’re such a clear picture of a character that you can imagine. Maybe they look like a character you’ve already begun writing, or maybe they’re one that you’ve never considered before. You can almost hear their voice in dialogue before they speak.

That’s what the art gallery was like for me. I wandered the halls snapping shots of nearly every portrait – faces old and young, faces wise and bewildered, faces engaged and closed-off.

Because of the age of the paintings, and the gorgeous fashions on display, I couldn’t help myself – suddenly I wanted to write a history novel again! Someone asked me just last week to look over their historical romance novel (fun!), so it’s been on my mind. I also wished I could have taken my dress-maker friend through the halls of the gallery, just to gaze at the fabrics and dream of ways to make modern dresses based on these opulent draperies.

Here are some of the faces that inspired me…

Continue reading

Sting: overcoming years of writer’s block

StingIn March, Sting gave a TED talk called ‘How I started writing songs again’ (http://www.ted.com/talks/sting_how_i_started_writing_songs_again).

As a youth, he lived by a shipyard, and constantly thought of getting free. As we all know, he did, selling more than 100 million albums and earning 16 Grammy Awards.

But something changed – he got writer’s block, stretching on for years. To overcome this, he recently found himself writing new songs by returning to the stories of the shipyard workers he knew as a boy.

I found his talk incredibly moving, as a creator and as someone who remembers a difficult childhood. In his talk, Sting sings songs from his upcoming musical, as well as my favourite of his songs, ‘Message in a Bottle’.

This ties back to my posts about incubation and writer’s block. I’ve written about how incubation of years has helped me to rewrite stories that I first imagined in high school now, as an adult. In Sting’s case, an unwanted incubation period that stretched for years (the writer’s block preventing creation) was solved by returning to childhood stories that had been incubating from even longer ago, bringing new creation.

Have you ever struggled with writer’s block? How did you get past it?

 

This post was written by TJ Withers-Ryan © 2014. Reblogging is highly encouraged as long as you credit me as the author.

Keep on creating – lessons from the masters 2 – Elizabeth Gilbert

Elizabeth Gilbert, author of the best-selling book / movie Eat Pray Love, has always been a fascinating speaker to me.

For Elizabeth Gilbert, the success of Eat Pray Love meant a form of failure.  Her next book completely bombed because everyone who wanted a sequel to Eat Pray Love didn’t get it, and everyone who hated Eat Pray Love was annoyed that she had written another book.

But what could she do about that?  Nothing.

So she says she had a choice – to retire and move to some gorgeous villa, or to keep writing and see if she couldn’t succeed/fail again.  If she was going to avoid being paralysed as a writer and a human being, she had to get up and get started on her next book.

TED talk by Elizabeth Gilbert: 'Success, failure, and the drive to keep creating'

Continue reading

Working Creatively Under Pressure

Coming to hang out at GenreCon 2013 on Saturday 18th? Shoot me an email (see my Contact Us section)!

Today is all about being creative under pressure. In the workplace, whether you are a person doing creative work in a non-creative industry, or a person doing creative work in a creative industry, we all work to various deadlines, and you need to know how to harness your creative process in a hurry!

The best example of successfully doing creative work under pressure is fairly ancient. The story of ‘One thousand and one nights’, also known as ‘Arabian nights’, is the story of Scheherezade in Arabia.

Princess Dunyazade

A portrait of Princess Dunyazade (‘The Coffee Bearer’) by John Frederick Lewis

When a Persian king, Shahryar, discovers that his wife has been unfaithful to him, he has her executed. He keeps on marrying a bunch of women, but each time, he executes her the morning after their wedding, before she has a chance to be unfaithful to him. It is the vizier’s job to provide these virgins to marry the king, but one day he finds they’ve run out! So his daughter, Scheherezade, convinces her father to let her be the next bride.

On the night of Scheherezade’s marriage to the king, she begins telling the king a tale, but she doesn’t give him the ending. He’s so curious to know how the story ends that he doesn’t execute her the next morning. He figures he’ll just wait until he’s heard the ending, then execute her the next morning. But that night, Scheherezade finishes that story and starts right into a new one. But she doesn’t finish it! So the king is forced to keep her alive for one thousand and one nights.

Continue reading

Incubation part 3: Why we (should) sleep on it

Why should we sleep on it? This post discusses incubation, sleep, and dream theory! My own experience, words from a sleep psychologist, and a wacky experiment examining the creative process.

"sleep and dreams and creativity" by Rachel Olsen: http://rachelolsen.blogspot.com.au/2012/10/dreaming-and-creativity.html

“sleep and dreams and creativity” by Rachel Olsen: http://rachelolsen.blogspot.com.au/2012/10/dreaming-and-creativity.html

My own experience:

So you remember how I was working on a novel and I just couldn’t finish it? Right, right, that was months ago. Well, I finally had a breakthrough!

I originally envisioned this novel in three parts, but currently only two parts of it work well. So I was thinking that parts one and two combined work as a standalone novel, with some revision.

But the problem that was to be solved was, at the end of part two, the heroine and her lover part on opposite sides of an intergalactic war. As enemies. So sad! And since I’m the kind of person who doesn’t deal well with sad endings (open that box of worms another day), this ending had to be fixed!

Continue reading

The Withers Survey: Studying the presence or use of incubation in the creative process

Everyone has their reasons...

“Why are you creative?” from KKB101 lecture, 2011, QUT

Last year I conducted a survey on creativity, mainly among friends and family, but also with some random people I found in the uni computer labs.  I asked everyone I knew, “Are you creative?  Would you like to talk about that?” and many people said yes.  Consider this thanks and an acknowledgement of those who spent time and effort doing my survey.

As a brief introduction, the Withers Survey studied the presence of or use of an incubation period in the creative process.  The traditional theory of a universal creative process is Wallas’s four-stage creative process (1945), which I have discussed in an earlier post on the topic of incubation.  The four-stage process identifies four stages common to most creative disciplines (Davis, 2004, 121-124; CreativeIntensive, 2007):

  1. Preparation in exploring and clarifying a field or concept;
  2. Incubation, a fringe consciousness or unconscious activity related to the idea;
  3. Illumination or the moment of discovery; and
  4. Verification of the result.

My hypothesis was that most people who consider themselves ‘creative’, or have been labelled ‘creative’ by others, engage in some form of incubation as part of their creative process.  This post will discuss the preliminary results and the survey itself.

Continue reading

Incubation: Creativity never sleeps… or does it?

Everyone has their own method.

Bill Watterson, “Calvin and Hobbes”

Last year I did a subject that asked us as creators to answer two questions: “Why do we create?” and “How do we create?”   You have to love Creative Industries assessments.

Mocking aside, however, these two questions are vital to understand if you intend to be creative successfully, or be creative for a living… or both.

The reflective waffle which was our first assessment piece answered the first question, and I’ll post that shortly.   Literally.   The short answer after much research and navel-gazing amounts, almost universally, to: “We create because it’s fun.”   Bronowski says that humans do not choose to create unless they enjoy the process (1985, p 245).

However, the second question led into hours of delightful research, culminating in a research essay.   My task was to argue that, although there are differences between the disciplines of art, design, and media, these differences do not affect the fundamental process of creativity, and that this creates links between these disciplines.

What follows is my summary of the parts of my research related to one part of the traditional creative process: the incubation stage.   The full text of the research essay is available on my Full text research essays page.

Continue reading