Why you should listen to your editor

Grumpy Cat Image source: AP Images

Grumpy Cat
Image source: AP Images

“In the end, what makes a book valuable is not the paper it’s printed on, but the thousands of hours of work by dozens of people who are dedicated to creating the best possible reading experience for you.”
― John Green

At the publishing house where I used to work, we had one author who simply would not listen to the advice of his editors.

Ultimately, the final say in how a book is edited is up to the author. It’s their copyright; it’s their book. But the publishing house always has the option of terminating the contract if the author refuses to make required changes.

Our editors recommended very strongly that this author edit out his “purple prose”. This guy was in love with adjectives. It was a common problem in all of his previous books, too.

When this author’s book was finally published, it got reviewed in the Courier-Mail (one of Australia’s larger newspapers). Guess what. The reviewer picked up on the purple prose, too. They nailed the book, and it didn’t sell well – big surprise.

We talked to the author about it but he was convinced that it was a coincidence that everyone had picked up on the same issue and made such a big deal about it.

This is why listening to your editor is so important.

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When the deed is done: How to run an effective writer’s critique group

“Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.”
      — Larry L. King, WD

Once the writing is done, you should definitely pop a champagne and celebrate.

But guess what happens next?

You can either have a sucky first draft of your novel forever, or you can get stuck into editing it.

Unfortunately, almost everyone is absolutely terrible at seeing the story issues or the misspellings in their own writing, so you need a writers’ critique group (a “crit group”).

So how do you find a good group? What should you be looking for when you need someone to really dig into your work (a critiquer or “critter”)?

What should you focus on when it’s your turn to crit someone else’s work?

And what should you be aiming for when you are the one running the crit group?

I ran the Dugong Writer’s Critique Group for two years as Facilitator and served as Secretary for two years before that while it was run by our founder, Grace Dugan, author of The Silver Road (ebook available from Penguin or on Kindle from Amazon). The group ran from 2007 through 2010 and we learned many valuable lessons from the experience.

Read on for tips not just from my group, but also from BWF presenters Vision Writers Group and memoir author Claire Dunne.

Today’s post will be charmingly illustrated by the creative folk worldwide who put captions on photos of cats.

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Music to write by

Music to write by - typewriter treble clef. Image source: Scores for Writers

Image source: Scores for Writers

 

Ever wondered what type of music will help you to focus when writing in different genres? Here’s what’s worked for me in the genres in which I’ve written or edited.

 

Okay, NaNoWriMo is nearly over, with only five days until the end is declared. So if you’re nearly there, here’s some final inspiration, to give you the last push you need to get that baby out (what a gross analogy, seriously). And if you’re boycotting NNWM and you’re kind of sick of hearing about it, soon we’ll be back to awesome posts that are not all about how to write a novel in the shortest possible timeframe.

Why does music help you write?

Studies have consistently shown that classical, Baroque era music can help students study things they’ve already learnt once, and can help workers to concentrate better during long or repetitive tasks. For those in a busy study or work environment, music has also been proven effective for blocking out distracting background noise. If you’re writing, editing, or creating art, music can help you stay focused and be more creative and open to new ideas.

By contrast, if you’re trying to learn new information that requires your full attention, music can distract you from what you’re reading. So if you’re doing research about historical methods of leather tanning for a new book, you might want to turn the stereo off and focus on the history.

Listening to lyrics can be distracting from writing, so most of the music I’ve featured in this post is purely instrumental. This is because lyrics are words and you’re already trying to think about other words when you’re writing. (People in other disciplines like maths, science or IT have no trouble with listening to lyrics while they work – in fact it helps, since their domain is largely numbers and code (Lesuik, 2005).)

So what can you use to inspire you when writing in different genres? Read on to find out!

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How to keep healthy as a writer: body, mind and soul

'The happy writer' Image source: ToneBlog

‘The happy writer’
Image source: ToneBlog

This post is something different for me – a collation of all the research I’ve done into how I can stay happy and healthy as a writer and editor. We live in a stress-filled age, and writing requires us to not be stressed, because stressed people aren’t creative, as I’ve previously explained.

All the “health” tips here are ones that I personally have tried and found helpful, so I hope they help you, too!

 

Body:

At BWF in the Burbs this year, Australian fantasy author Trudi Canavan gave us this invaluable tip:

“Look after your bodies. Writing is hunched over a computer, fingers working furiously for extended periods. It’s an unnatural position that soon leads to RSI if you do it for years on end.”

She recommended we take lots of breaks from the hunched, sitting position.

For her, unfortunately, RSI is a daily issue, which is inconvenient now that she’s a full-time writer (the dream!). Because of the pain, she can now only sit down to write for half an hour at a time before getting up from the computer again. She does that over and over all day, because she has to. (Gosh! It takes me at least ten minutes just to get into the swing of things with my story again after a break – imagine only having twenty useful writing minutes each time you sit down to write.)

So don’t make the same mistake as Trudi and let it get too late to avoid RSI. Get up and walk around. Pat the dog. Do some quick yoga stretches at your computer! I got into this when I was working a job that was 8 hours a day at a computer, and it worked wonders for my lower back pain.

‘5 Office Yoga Poses (That Won't Freak Out Your Coworkers)’ Image source: Meredith Nordhem, Huffington Post http://www.huffingtonpost.com/meredith-nordhem/office-yoga-poses_b_5604195.html

‘5 Office Yoga Poses (That Won’t Freak Out Your Coworkers)’
Image source: Meredith Nordhem, Huffington Post
http://www.huffingtonpost.com/meredith-nordhem/office-yoga-poses_b_5604195.html

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NaNoWriMo storyboarding for plotters and pantsers

Walt Disney running through a storyboard with colleagues Image source: Kashinterest

Walt Disney running through a storyboard with Deems Taylor and Leopold Stokowski, music directors, in 1940, Burbank, California
Image source: Bettman/CORBIS

“A blank piece of paper is God’s way of telling us how hard it is to be God.” – Sidney Sheldon

If you’re eagerly gearing up for NaNoWriMo (National Novel Writing Month) [nanowrimo.org], like me, you’re probably counting down the days! Deciding who your main character will be. Picking a location. And getting ready for this weekend, when you and thousands of others worldwide will start writing furiously.

So, is writer’s block easier to get past for plotters or pantsers? And how can we get past writer’s block during NaNoWriMo, whether we’re a plotter or a pantser? Will storyboarding really help me or is it a waste of precious time?

If you’re saying, “Woah, woah, woah. What are ‘plotters’ and ‘pantsers’?”, let me tell you. (You can skip ahead if you know this bit.)

Someone who plans the plot and even the dialogue for every scene before they begin writing any words of their novel is called a plotter.

“The first sentence can’t be written until the final sentence is written.” —Joyce Carol Oates, WD

Someone who just starts writing and “goes with the flow” is a pantser, someone who flies by the seat of their pants. They don’t plan. They just put pen to paper and see what comes out.

“Writing a novel is like driving a car at night. You can only see as far as your headlights, but that’s okay; you can make the whole trip that way.” – E. L. Doctorow

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The Anti-Cliché Challenge: Describe the scene

Centennial Park, Sydney, before the rains hit (Image Source: My camera)

Centennial Park, Sydney, before the rains hit
(Image Source: My camera)

“Don’t tell me the moon is shining; show me the glint of light on broken glass.” ~ Anton Chekhov

The most challenging writing exercise I have been set to date is very simple:

Describe this scene. Right here, right now, where we are. Without using any clichés.

So, how do you describe a scene without it being a cliché? As Rory from Gilmore Girls complained in Season 4, “A ‘rain-soaked highway’ is not a cliché, it’s just how you describe a rain-soaked highway!” Well, I’ll give you a few tips, so you can use them next week when NaNoWriMo 2014 kicks off! Then I’ll show you some scenes descriptions I’ve recorded during this week’s visit to Sydney.

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Short stories to wrestle with

Summer in the park in London. Image source: IWOM We know no limits

Image source: IWOM We know no limits (London)

“The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes but by no means always find the way to do it.” – John Steinbeck

 

Juni Desiree (Awrestlingwriter) is a prolific blogger I happily stumbled into this year. This week she kindly shared with us the link to one of her short stories, ‘Summer’, published in The Australia Times.

I loved it! Laughed. Nearly cried. Finished it feeling warm and fuzzy and re-balanced. Which is just what a short story should do.

And it is seriously short (700 words), which makes it a solid example of one particular structure for short fiction – the “whole narrative” told briefly – for young writers who are just starting out to follow.

Last month I was editing a short story for someone, and this month I’ll be writing a book review of one (I’ll post the link when it’s up), and so I’ve spent a lot of time thinking about the various purposes of short stories in general, and whether or not these and other stories have achieved those purposes.

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Semantic satiation: Don’t kill your reader

Recently I was editing a novel where the author had used the “text method” of writing. I don’t mean that they included texts in their story. I mean that they wrote “dont” instead of “don’t”.

So I’ve just spent an hour straight hitting “Ctrl+F” (Find and Replace) to fix the variations of “dont” that have appeared throughout the story. I’ve literally looked at the same one word over and over, to the point where the correct word, “don’t”, doesn’t even seem like a real word anymore.

Dont.

Dont’.

Donnt.

Donut…? (Mmmmm, donuts… *immediately breaks diet*)

I was telling a well-educated friend of mine about it and he told me that this is called semantic satiation. (Not to be confused with Semantic Saturation, the progressive rock metal band.)

Semantic satiation is the proper term for when you’ve been looking at a word for so long that it loses its meaning to you and just looks weird. It happens because the neurons that are responsible for that word are temporarily worn out from overuse. But what can I do about it?

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Happiness and creativity: Why you shouldn’t write a sad song until you’re feeling better

“I can shake off everything as I write; my sorrows disappear, my courage is reborn.” ― Anne Frank

 

Happy lightbulb man from Scientific American

Image Source: Scientific American

Do you need to be happy to be inspired? Or do you need to be a tortured artist in order to be inspired? It’s an age-old question, and there’s a growing body of science providing answers to it.

 

I’ve been studying a psychology unit through edX Berkeley online called GG101 ‘The Science of Happiness’, and the experimental studies that have been performed in this area of creativity-and-happiness have been fascinating.

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Being a promiscuous reader: Brisbane Writers Festival

Stack of books with spines open

Image source: Resource Freak

“I’m a very promiscuous reader; I believe we should take all kinds of genres to bed with us.” ― Lauren Beukes

Lauren Beukes

Lauren Beukes
(pronounced something like “Beeyohkes”)
Image source: The Audio Bookstore

Today I went to my first Brisbane Writers Festival session and thoroughly enjoyed it!  Lauren Beukes, South African author of science fiction and crime noir novels, says we should read everything we can get our hands on, no matter what genre we write for ourselves.  Here’s why…

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